Téniers

L'Archiduc Léopold Guillaume dans sa galerie de peinture, 1647

Pictorial Webster's

Pictorial Webster's: Inspiration to Completion from John Carrera on Vimeo.

Michael Craig-Martin

common-history-totem

Arman

Hans Peter Feldman

Capa da terceira e quarta edição do livro "Voyeur" de Hans Peter Feldman. Abaixo, capa de "Album", outro livro de artista.

Rembrandt

Simon Evans

1000 smiles

Tony Cragg

Palette

Britain Seen from the North

The artist is a specialist in a field he defines for himself. His field is a mixture of objectivity, irrationality and subjectivity. In inventing a denser, more complex vocabulary, the artist contributes to an understanding of the world. He is simply a very small fragment of the universe. Torn between himself and his images, he is a grain of organic material in a universe where man cannot grasp his own insignificance... He can observe the universe, and knows the value of an intellect which can reflect upon its own existence.
In fact it is a cellebration of life, which I think, is his main contribution.

Tony Cragg, texto de um catálogo de uma exposição em Bruxelas, Palais des Beaux-Arts, 1985. Publicado no livro de Germano Celant.Tony Cragg. Thames & Hudson, 1996, p. 118.

Albertus Seba

Cy Twombly

Natural History_Mushrooms IV

Natural History_Mushrooms IV

Natural History I, reszlet, 1974

Natural History Part II, Some Trees of Italy (B. 52-59)

Alberto Baraya

Gerard Richter

Acima, uma das pranchas do Atlas de Gerard Richter.